The Guitar Principles University
Learn to change chords easily, master a scale and learn music in classical, acoustic, blues and rock styles.
Learn to change chords easily, master a scale and learn music in classical, acoustic, blues and rock styles.
Guide Through Stage 2 Material
Repertoire Control Sheet
Scale Mastery
Recommended Practice Aids
Recommended Guitar Books
Get Better Faster! Get a 24/7 Personal Trainer On Guitar
Class Summaries - Ctrl + F To Search a Topic
Principles Concepts-Understandings and Tools
Guitar Practice Organization Chart - PDF
Guitar Practice Organization Chart - Word Doc
Sample Practice Organization Charts
Repertoire Control Sheet - PDF
Order of Practice Methods
Progress Control Chart - Scales
How To Practice & Use Scales
The 3 Finger Combinations
3 Finger Combinations
The 6-2 G Major Scale
The 6/2 Major Scale - Instructions
The G Major Scale
The Circle of 5ths and the Major Scale
Open G Scales with Alternate Bass & Bass Runs
Open G Scales & Bass Runs - Instruction
Open D Scale with Alternate Bass & Bass Runs
Open A Scale with Alternate Bass & Bass Runs
Open E Scale, Alternate Bass & Bass Runs
Open C Scale, Alternate Bass & Bass Runs
Scales and Chords Combined In G
Scales & Chords Combined In G - Instruction
Scales & Chords Combined In C - PDF
Scales & Chords Combined in C - Instruction
Scales & Chords Combined in D - PDF
Minor Scales 1st Position
Learning the 6 Essential Scales - Method & Procedure
6-2_Major Scale
6-2 Major Scale - Instruction
5-2 Major Scale - PDF
5-2 Major Scale - Instructions
6-4 Major Scale - PDF
6-4 Major Scale Video
5-4 Major Scale PDF
5-4 Major Scale Video
6-1 Major Scale PDF
6-1 Major Scale - Video
5-1 Major Scale PDF
5-1 Major Scale - Video
The Major Pentatonic Scale
Segovia Scale - C Major
Segovia Scale in G Major
C Scale Throughout The Neck
How To Practice & Use Scales
Jam Tracks Online
C Chord Jam
G Chord Jam
D Chord Jam
C Chord Jam
Scale Sequences In G
Scale Sequences in C
C Scales Around The Neck
Rhythm Models For Improv
Playing Over Changes
Fretboard Knowledge
Improv Challenge: Wayfarin' Stranger
Skills Checklist - Chords & Songs
Progress Control - Chords & Songs
Download Checklist & Chart As Word Document
Preparation For Your First Song
Your First Chord & Song
Learning Your First Song - Using The Full G Chord
The Full G Chord
G to Em
G to Em
How To Practice Chord Changes
Exercise: Changing G to Em
Learning The C Chord
Em to C
Exercise: G-Em-C
Learning The D Chord
Learning The D Chord - Video
Changing G to C
Changing D - C - D
Changing G-Em-C-D-G
Arpeggios in G
Arpeggios In D
Arpeggios in A
Arpeggios In E
Arpeggios In C
Simple Blues Using 1st Position Chords
Simple Blues Using 1st Position Chords - Video
Rhythmic Strum For Blues with First Position Chords
Blues In E with Chords & Bass Runs
Blues In E with Chords
Blues In E With Bass Runs
Minor Chords
Minor Chords - Instruction
Basic Bar Chords
Basic Bar Chords For I IV V Around the Circle of 5ths
The I VI II V progression with Bar Chords
Essential Jazz Chords
Essential Jazz Chords - Instruction
Song Melodies
Eleanor Rigby - Song
Eleanor Rigby - Exercises for singing the syncopated melody - PDF
Eleanor Rigby - Singing the syncopated melody - Video
Songs To Play -PDF
Songs To Play: Instruction
Stand By Me
Don't Think Twice It's Alright
I Walk The Line
I Walk The Line - Instruction
This Land Is Your Land - For Alternate Bass In G
This Land Is Your Land - MP3
Wild Horses -PDF
Wild Horses - Instruction
I Can't Help Falling In Love With You
Fly Me To The Moon
Fly Me To The Moon Melody - Quarters
Fly Me To The Moon - Syncopated Melody
Fly Me To The Moon - Chord Play Along Track
Fly Me To The Moon Harmonic Analysis
Fly Me To The Moon - Melody with Chord Track
House Of The Rising Sun
You Really Got Me
Hotel California - Tab - Guitar Solo p. 14
Fly Me To The Moon - Jazz Chord Comping
Buy Mel Bay On Amazon
How To Practice Mel Bay using _The Principles_ p.7-9
How To Practice Mel Bay Guitar Method P.10
How To Practice Mel Bay Guitar Method p. 11-13
How To Practice Mel Bay Guitar Method p. 14-16
How To Practice Mel Bay Guitar Method p. 16-18
How To Practice Mel Bay Guitar Method p. 19-21
Shenandoah Instruction -p.26
6-2 Major Scale Arpeggios
6-2 Major Scale Arpeggios - Instruction
6-2 Major Scale Arpeggios - Played Bottom to Top
6-2 Major Scale Arpeggios - Played Top to Bottom
5-2_maj-scales-arps (1)
5-2 Major Scale Arpeggios - Instruction
5-2 Major Scale Arpeggios - Played Bottom to Top
5-2 Major Scale Arpeggios - Played Top to Bottom
Triads Shapes Around The Neck
Bar Chord Mastery 1 - PDF
Introduction: Part One
Ex.1 - Balancing Hand Effort And Shoulder Relaxation– Thumb Off
Ex.2 - Rolling Pressure To Each String
Ex.3 - 2 Travel With Light Bar
Ex. 4 - Finger Press With Light Bar
Ex.5 - Finger Press With Half To Full Pressed Bar
Ex.6 - The Full 6th String Root Major Chord
Ex.6a - The 2 Straight Exercise
Ex.7 - Rolling Backward For More Pressure
Ex.8 - Modifying The 6th Root Major
Ex.9 - Changing Positions With The 6th Root Major
Ex. 10 - Getting More Comfortable With Flapping
Parting Words :Part One
Bar Chord Mastery 2 - PDF
Ex. 11 - Directing Force To 6th & 1st String
Ex. 12 - Directing Force To 5th & 1st String - The 5th String Bar
Ex. 13 - The 5th Root Minor Chord
Ex. 14 - Barring With The 3rd Finger, The m7 Short Form and 9th Chord
Ex. 15 - The 4 String Bar and It's Chords
Ex. 16: Preparation For The 3 String Bar
Ex: 17 - The 4 Alone Exercise - Preparation For The D Major Chord
Ex. 18 - Common Chords With the 3 String Bar
Ex. 19 The 6th Root Major With Inside Bar
Ex. 20 - Tips On Changing Bar Chords
Basic Strums
Basic Strums - Instruction
The Difference Between Rest & Free Stroke
Training Fingers For Perfect Free Stroke Part 1 - Hand Position
Training Fingers For Perfect Free Stoke Part 2: Training Individual Fingers
Finger Style Skills - Exercises
Fingers Rest Stroke with Thumb Free Stroke
#2: 2, 3 and 4 Notes with Thumb & Fingers Free Stroke
#3: Finger Rest Stroke with Thumb Free Followed by Finger Free Stroke
Home On The Range - Block Chords
Home On The Range - Instruction
Travis Picking 1
Travis Picking 2
My Creole Belle
Freight Train
Sloop John B with Melody
Sloop John B. & John Barlycorn - Music
John Barlycorn - Guitar Slow
John Barlycorn - with Vocal
Blackberry Blossom
Skills Checklist - Rock & Blues
Progress Control Chart - Rock & Blues
12 Bar Blues In A with Simple Chords - PDF
Blues Shuffles Explained
Blues Shuffle 1 in A - PDF
Blues Shuffle In A - Video
Shuffle in A with b7
Blues Shuffle With b7
Shuffle in A with Bass Walks & Slides - PDF
Shuffle in A with slides-mute-walks - VIDEO
Rock & Blues Course #1: Minor Pentatonic Scale 1 PDF
Rock & Blues Course #1: Minor Pentatonic Scale 1 VIDEO
Rock & Blues Course #1A: Finger Lowness VIDEO
Rock & Blues Course #2: Basic Bends PDF
Rock & Blues Course #2: Basic Bends VIDEO
12 Bar Blues in A with Simple Chords - Video
Rock & Blues Course #2a: Bending To Pitch VIDEO
Rock & Blues Course #3: Solo 1 - PDF
Rock & Blues Course #3: Solo 1 - VIDEO
Rock & Blues Course #4: Shuffle Patterns: PDF
Rock & Blues Course #4: Shuffle Patterns: Video
Rock & Blues Course #5: Essential Licks: PDF
Rock & Blues Course #5: Essential Licks: Video
Rock & Blues Course #6: Solo 2 Using The Essential Licks: PDF
Rock & Blues Course #6: Solo 2 Using The Essential Licks: Video
Rock & Blues Course #6a: Successive Bends: PDF
Rock & Blues Course #6a: Successive Bends: Video
Rock & Blues Course #7: String Raking, Muting, Damping: PDF
Rock & Blues Course #7: String Raking, Muting, Damping: Video
Rock & Blues Course #8: Vibrato: PDF
Rock & Blues Course #8: Vibrato: Video
Rock & Blues Course #9:Playing In Different Keys: PDF
Rock & Blues Course #10: Scale 1 & 2: PDF
Rock & Blues Course #10: Scale 1 & 2: Video
Rock & Blues Course #11: Scale 1 & 2 Licks: PDF
Rock & Blues Course #11: Scale 1 & 2 Licks: Video
Rock & Blues Course #12: Solo 3 Using Scale 1 & 2: PDF
Rock & Blues Course #12: Solo 3 Using Scale 1 & 2: Video
Rock & Blues Course #14 PDF: Minor Pentatonic Scale #3
Rock & Blues Course #14 Video: Minor Pentatonic Scale #3
Rock & Blues Course #15 PDF: Solo 4 Using Scale 3
Rock & Blues Course #15 Video: Solo 4 Using Scale 3 Performance
Rock & Blues Course #15 Video: Solo 4 Using Scale 3 Instruction
Rock & Blues Course #16 PDF: Minor Pentatonic Scale # 4
Rock & Blues Course #16 Video: Minor Pentatonic Scale #4
Rock & Blues Course #17 PDF: Solo 5 Using Scale 4
Rock & Blues Course #17 Video: Solo 5 Using Scale 4
Rock & Blues Course #18 PDF: Minor Pentatonic Scale #5
Rock & Blues Course #18 Video: Minor Pentatonic Scale #5
Rock & Blues Course #19 PDF: Solo 6 Using Scale 5
Rock & Blues Course #19 Video: Solo 6 Using Scale 5
Outro: Where to go from here
Open E Blues Scale & Licks
Open E Blues Scale
Open E Blues Licks
Jam Track - Blues In E
Jam Track - Slow Blues in A
Skills Check List - Finger Style Blues
Progress Control Chart - Finger Style Blues
Introduction To Fingerstyle Blues
Exercise 1
Exercise 2 & 3
Exercise 4
Exercise 5
Exercise 5 2nd Line
Exercise 6
Exercise 7
Exercise 8
Hamburger Blues - Continuing Study
Hamburger Blues
Hamburger Blues Performance & Instruction
2 Hamburger Licks From "Blues Factory"
Rosedale Blues 1 & 2 Played by Jamie Andreas
Rosedale Blues 1 & 2 Played by Jamie Andreas
Rosedale Blues Notes & Tab
Rosedale Blues Instruction 1
Rosedale Blues Instruction 2
When The Saints Go Marching In - Chord Melody
Amazing Grace - Chord Melody
Autumn Leaves: Melody 1st Position - Notes
Autumn Leaves: Melody 1st Position - Instruction
Fly Me To The Moon -PDF
Fly Me To The Moon - Instruction 1
Fly Me To The Moon - Instruction 2
Autumn Leaves Chord Melody
Autumn Leaves Chord Melody - Performance
Autumn Leaves Chord Melody - Instruction Part 2
Blackbird
FREE PREVIEWDanny Boy - PDF
Danny Boy Guitar Pro File
Carol of the Bells
Hammers & Pulls - PDF
Hammers From a Fretted Note: 1-4
Hammers From a Fretted Note: 1-3
Hammers From A Fretted Note: 1-2
Building Speed with Pull Offs
Ex. 1: Hammers From An Open String
Ex. 8 - Building Speed with 2 Finger Hammers
Hammers with 2-3 and 3-4
Ex. 10: 3 Finger Hammers
Pull Offs 4-1
The Difference Between Rest Stroke & Free Stroke
Training Fingers For Perfect Free Stroke Part 1 - Hand Position
Training Fingers For Perfect Free Stoke Part 2: Finger Independence
Alternating Fingers Rest Stroke with Thumb Free Stroke
Prelude in Am -notes & tab
Prelude in A Minor - Performance
Prelude in Am - Instruction
Prelude in Am - tab only
Student Performance: Prelude in Am
Classical Excerpt #1
Classical Except #1 - Instruction
Asturias - PDF
Asturias - Performance & Instruction
Greensleeves - Performance & Instruction
Greensleeves - PDF
Ode To Joy - Beethoven - PDF
Ode To Joy Performance & Instruction - Video
Segovia Scale - C Major
Download All Videos For Sor Etude in Bm
Fernando Sor Etude in Bm - Performance
For Sor Etude in Bm - PDF
Bach: Tocatta & Fugue in Dm
Classical Guitar Collection - 30 Pieces
1: Main PDF
1a: Action Cues
1b: Cycle of the Note
1c: Two Voices One Staff
Prelude No.2 P.43 Performance
Prelude #2 p.43 Instruction
2: Main PDF
2: P32
P. 32-35 Left Hand
2: P.33-34
2: P33-34 Above
2: P. 35 Etude 4 Front
2: P37
2: P.41
2: P.41 Right Hand
2: P.41 Left Hand
3: Main PDF
3: Action Cues
3: Cycle Of The Note
3: Moorish Dance
3: P.42
3: p.44
3: P.44-47 Right Hand
3: P. 44-47 Left Hand
3: P. 45
3: P. 46
3: P. 47
3: Tremolo Prep 1
3: Tremolo Prep 2
3: Tremolo Prep 3
4: Main PDF
4: The Right Hand In Long Scales
4: Etude 9
4: Two Notes Together Free Stroke
4: Folk Song
4: Country Dance
4: Allegro
5: Main PDF
The Cycle of the Note -PDF
Pressure Placement - PDF
3 Notes Free Stroke Preparation
3 Notes Played Free Stroke
Prelude 17a
Prelude No. 18 Slow
Prelude 18 Fast
P.96 Free Stroke Thumb & Fingers
P. 100 Carulli Waltz
P. 101 Prelude #20
6: Main PDF
P. 108
P. 108 Preparation
Andantino & English Dance
Waltz with 3 Variations
Fernando Sor Andante 1
Fernando Sor Andante 2
Allegretto 1 & 2
Maruo Giuliani Andantino
Fernando Sor Anante 1
Mauro Giuliani Allegro
Dionisio Aguado Waltz
Dionisio Aguado Estudio
Reading Music Made Easy
Music Theory 1: Building Major Scales
QUIZ MT1: Understanding Music Theory 1
ASSIGNMENT 1: Building Major Scales
Music Theory 2: Intervals & Chords
QUIZ MT2: Intervals & Chords
Playing Major Scales Up Open Strings
ASSIGNMENT 2: Building 3rd and Triads
Music Theory 3: Extended Chords - 7th Chords
Music Theory 4: Minor Scales
Circle of 5ths
QUIZ MT3: 7TH Chords
Guitar Neck Layout & Logic
The 3 Basic Pick Mechanics
FREE PREVIEWThe 3 Basic Pick Mechanics
FREE PREVIEWLeft Hand Development Exercises - PDF
Left Hand Exercises 1-4 Video
Chromatic Octaves Exercise - PDF
Chromatic Octave Exercise - Demonstrated
Chromatic Octaves Exercise - Instruction
The Thumb Up Exercise
Right Arm Weight Transfer - Thumb
Exercise for Arm Weight Through Pick & Thumb
Play 2 Touch Bounce
The 3 Phases of the Note
The 3 Phases Of The Note
The Approach To The String - PDF
The Approach To The String - Video
The Cycle Of the Note
The Cycle Of the Note
How To Touch A Guitar String
Understanding The Movement Process
The Basic Practice Approach
The Basic Practice Approach - Demonstration
Stage 1 Practice Methods - Order of Use
Working In Groups To Build Speed
The Expanded Beat - PDF
The Expanded Beat - Video
The Full Press Technique
Up To The Note with Stop & Drop
Essay: Practicing Is Meditation
The Necessity of Precise Rhythm - How To Check
9-15-18
9-22-18
9-29-18
10-6-18
10-13-18
10-20-18
10-27-18
11-3-18
11-10-18
11-17-18
11-24-18
Class 1: 12-1-18
Class 2: 12-8-18
Class 3: 12-15-18
Class 4: 12-22-18
Class 5: 12-29-18
Class 6: 1-5-19
Class 7: 1-12-19
Class 8: 1-19-19
Class 9: 1-26-19
Class 10: 2-2-19
Class 11: 2-9-19
Class 12: 2-19-19
2-23-19
3-2-19
3-9-19
3-16-19
3-23-19
3-30-19
4-13-19
4-20-19
4-27-19
5-4-19
5-11-19
5-18-19
5-25-19
6-1-19
6-8-19
6-15-19
6-22-19
6-29-19
7-6-19
7-13-19
7-20-19
7-27-19
8-3-19
8-10-19
8-17-19
8-31-19
9-7-19
9-14-19
9-21-19
9-28-19
10-5-19
10-12-19
10-19-19
10-26-19
11-2-19
11-9-19
11-16-19
11-23-19
11-30-19
12-7-19
12-14-19
12-21-19
1-4-20
1-11-20
1-18-20
1-25-20
2-1-20
2-8-20
2-15-20
2-22-20
2-29-20
3-7-20
3-14-20
3-21-20
3-28-20
4-4-20
4-11-20
4-18-20
4-25-20
5-2-20
5-9-20
5-16-20
5-23-20
5-30-20
6-6-20
6-13-20
6-20-20
6-26-20
7-11-20 (combined stage 1 and 2)
7-18-20 (combined stage 1 and 2)
7-25-20 (combined stage 1 and 2)
8-1-20 (combined stage 1 and 2)
8-8-20 (combined stage 1 and 2)
8-15-20 (combined stage 1 and 2)
8-22-20 (combined stage 1 and 2)
9-19-20
9-26-20
10-3-20
10-10-20
10-17-20
10-24-20
10-31-20
11-7-20
11-14-20
11-21-20
11-28-20
12-5-20
12-12-20
12-19-20
1-2-21
1-16-21
1-30-21
2-6-21
2-13-21: I Walk The Line - G Scale For Economy of Motion
2-20-21: I Walk The Line - Half Bar Exercise
2-27-21: Chord Melody-This Land in D
3-6-21: Chord Melody - When The Saints Go Marching In
3-13-21: When The Saints Go Marching In-Chord Melody
3-20-21: Picking On 3 Finger Combos - Fixing Bad Things - Saints Go Marching Chord Melody
3-27-21: Fingers Rest Stroke, Thumb Free Stroke - "Saints" Chord Melody
4-3-21: "Saints" Right Hand Tips - Finger Leaves - Music Theory - Keep Right Thumb Out - Strumming Tips - Pick Choice
4-10-21: Open D Scale - Free Stroke Refinement - Rest Stroke Refinement
4-17-21: Reducing Tension Rock Solo 2 - Chord Changes In Time - Finger Flexibility Exercise - Free Stroke Arpeggios
4-24-21: Saints Go Marchin' Chord Melody - Free Stroke Practice - Fingerstyle Skills - Leftie Guitar
5-1-21: The Proper Shape of A Bend On Electric - Making Scale Notes Legato - The Order Of Practice Methods - Refining & DeStressing Free Strokes
5-8-21:How To Practice the Half Bar (I Walk The Line) - Reading Rhythms, Tapping & Counting - Strumming - Proper Shape of the Bend - Keeping the Wrist Position (Saints) - Thumb wtih Finger Rest Stroke Followed by Free Stroke
5-15-21: Fixing 3 On C Chord -Updated Guide Through Material - New Syncopated Strum - Intro to Wild Horses - Keeping Wrist Curve On Free Stroke - Keeping Fingers Close On Free Stroke - Controlling Left Pinky On G Scale Preventing Collapse
5-22-21: Left Hand Development Ex. 1 - Wild Horses Switching Into Bar Chords
6-5-21: Left Hand Development Exercises - LH Position On Bending - I Can't Help Falling In Love With You - Practice Organization
6-12-21a : Left Hand Dev Ex. 1-3
6-12-21b: Left Hand Development Exercises
6-19-21: Bm Chord Tips - Practicing With Light Fingers - Left Hand Ex. #4 - Can't Help Falling In Love, Strums & Chord Melody
6-26-21: G to Bm Tips - Simple Blues with 1st Position Dominant 7th Chords
7-3-21: G Major Scale - Wild Horses - Refine Free Stroke
7-10-21: Smoothing Out Chord Changes - Stretching Fingers To Fret On Bar Chords - Amazing Grace Chord Melody Keep Right Hand Position
7-17-21:Block Chords/FingerStyle Skills - Putting Arm Weight Into Pick and Fingers - Right Hand Pinky Relaxed During Free Strokes
7-24-21: Hammers 1/4 - Strum #7 Used for Simple Blues
7-31-21: Hammers 1 & 4 Corrections - Hammers 1-3 - G to Bm Chord
FREE PREVIEW8-7-21: Hammers 1&3 - Hammers 1&4 Corrections - Body Control During Hammers - F to C (Can't Help Falling In Love) - Minor Chords & Circle of 5ths - Repetition on 6th Root Dom 7th
8-14-21: Minor Chords - Hammers Corrections - Keeping 8ths Even With Hammers
8-21-21: Scales & Chords In C - Can't Help Falling In Love Destressing C Chord - Hammers 1 & 3 Corrections
8-28-21: Hammers 1 & 3 - Adjusting Left Thumb - Menuette Corrections - LFR 3rd Finger Slant - C to Dm Chord - 3rd Finger Bar Chord
9-11-21: A minor Scales 1st Position -Fly Me To The Moon Chords - Correct Bending Technique - Using Mel Bay
9-25-21: Open E Minor Scale - Jazz Chords - Music Theory -3rd Finger Bar - Origin of Scales & Modes
10-2-21: De-Stressing Right Hand Free Strokes - Using Stop & Drop - Fly Me To The Moon Chord Melody - 3 Finger Combinations & Finger Flapping - Stretching Pinky on Dom 7th Chord
10-9-21: Divebombing the D Chord - Fly Me To The Moon Dm7 Chord - FM2TM Expanded Beat & Double Touch - Autumn Leaves Chord Melody - Releasing Pressure On 3 Finger Combinations
10-16-21: Autumn Leaves Chord Melody Playing and Harmonic Analysis
10-23-21: Chords From the Minor Scale - Using The Guide Through Material - Why To Use Mel Bay - Fly Me To The Moon Chord Melody - Using The Expanded Beat
10-30-21: Autumn Leaves Chord Melody - Dealing With Finger Shakes
11-6-21: Microscopic Awareness - Can't Help Falling In Love Destressing Free Stroke - First Chord Changes - Fly Me To The Moon Chord Melody
11-13-21: Refining Free Stroke - Controlling Fingers On Hammers - Fingerstyle Exercise #1 - Fly Me To The Moon Measures 1-3 Verbal Event Analysis - Classical Harmony & Jazz Harmony
11-20-21: Right Hand Weight Transfer Exercise - How To Change G To D - Doing Correct Free Stroke - Correct Half Bar
11-27-21: Using The Position Studies Book - 3 Finger Combinations - Autumn Leaves Chords Up Neck
12-4-21
12-11-21: Hammer Ons - The Bminor Chord - Practice Chord Changes with Various Leading Fingers - Adding Arm Weight In Fingerstyle - Thumb Nail Back
Stage 2 Class Contents 2022
1-8-22: House of the Rising Sun - G Major Scale - Don't Squeeze Chords - Electric Bending - Refining Free Stroke - How To Move Slowly - Correct Approach To Bar Chord
1-15-22: Principles Concepts Slides - Playing Up To The Touch - Free Stroke Keep Fingers Close - Classial For Non Classical #1 - Electric Vibrato Development
1-22-22: Guide Through Material Update - Basic Bar Chords = Help With Bm - Refine Free Stroke
1-29-22: Yoga of Guitar Review - Bending Technique - Classical Excerpt #1
2-5-22: Reaching The Pinky To The Fret - Touching Technique with Index on Right Hand - Basic Bar Chords
2-12-22: Free Stroke Corrections - Doubling Speed One Group At A Time - Posing On Stress Points - Bar Chord Mastery 1 & 2
2-19-22: Bar Chord Mastery Part 2 - 3rd Finger Bar
2-26-22: You Must Review - 3rd Finger Bar On 5th Room Major Chord - D to Small F Chord - 4 String Bar - 5-2 Major Scale
3-5-22: The 1 Stretch 2 Exercise - Classical For Non-Classical #1 - 5th Root Major Bar - G to C Fingerpicking - Asturias & Bouncing Thumb
3-19-22: Rules For Thumb Use On Right Hand - 3 Finger Combos with Touching - Classical For Non Classical #1 - Chromatic Octave Ex. - Right Hand Arm Weight
3-26-22: Chromatic Octave Exercise - Overview of The Classical Course
4-9-22: Using The Guitar Practice Organization Chart - Major Bar Chords - Practicing The 3rd Finger Bar - Complete Stroke wtih the Right Thumb
4-16-22: Detailed Refinement of 6/2 Major Scale - Scales & Chords In D Major - 3rd Finger Bar - Playing I IV V with Bar Chords
4-23-22: G Major Scale Refinement - Autumn Leaves Fingerstyle - Thumb Off Practice - 5th Major Bar Practice - Damping with Right Thumb - Metronomes
4-30-22: The 5/2 Major Scale, reaching back with 1 - Shenandoah (Mel Bay)- Holding Pressure on Chromatic Octaves - Asturias
5-7-22: Basic Bar Chords - 5th Root Major Bar - Asturias - C Chord & Eleanor Rigby - Slow Practice For Chord Changes - Various Ways To Do A Chord
5-14-22: Using The Classical Course - How To Practice Half Bar - Refining Free Stroke - Using Action Cues - Asturias Right Hand - What Are Guitar Keys?
5-21-22: FingerStyle Arrangment of "Greensleeves" - I VI-II-V Using Bar Chords - Bar Chord Changing Tips - Shenandoah, Playing Legato
5-28-22: On Improvising - How To Begin
6-4-22: Etude 9 Classical Course - Reading 16th Notes - Night Song (Mel Bay) - Improvising with Target Notes
6-18-22: Refining Free Stroke - B7 to E7 Change - Rhythmic Strum For Blues - Improv with 6/2 Scale On One Chord - G Scale Sequences - Bending Technique - Discussion of Overwhelm
6-25-22: Refining 6/2 Scale Setup - Keeping 2 Straight on G Scale - Asturias: Adding Arm Weight - Prelude in Am - Following Guide Through Material - Index Touch w/Free Stroke - Finger Release on 3 Finger Combos
7-2-22: Improvisation: Playing To One Chord, Target Notes, Phrases - Fly Me To The Moon Chord Melody - Shenandoah
7-9-22: Fly Me To The Moon Melody w/6-2 Scale - Bending Strings To Pitch - String Muting - Using Ring Finger To Avoid Cross Fingering in Fingerstyle
7-16-22: Using "Up To The Note" - Jamie Plays Melody To Fly Me To The Moon - Bending Technique
7-23-22: 6/2 Scale Keeping Alternate Picking and Relaxing After Each Note - Bending Technique - Fly Me To The Moon Melody Hold 1 - 5th Root Bar - Changing Bar Chords
7-30-22: Why You Must Practice Slow! - Working Up 2 Measures a Time - Fly Me To The Moon Chord Melody measure 21 - Fly Me To The Moon First Positon Chords
8-6-22: Right Hand Thumb Correction Keep It Out - Correct Attitude About Progress - Country Dance - FLy Me To the Moon measures 21 - 25, using arms control - Fly/Moon Harmonic Analysis
8-13-22: 3 Finger Combos Thumb Too Low - E to B7 from "Walk The Line" - Solo 2 Rock & Blues - Proper Shape of Bend - Vibrato - Chord Change Fly Me to the Moon
8-20-22: Disussion of Practice Organization - Keeping Fingers Close to Strings on G Scale - Developing Vibrato - Fly Me To The Moon Chord Melody - Changing Strings
8-22-27: Using Full Press On G Scale To Build Speed - Fly Me To The Moon Chord Melody
9-3-22: Fixing Free Stroke - Careful Placing of 1 & 2 - Working - Hammer On Corrections - 1/2 Bar I Walk The Line - Going For The Music Discussion - Full Press & Releasing Tension
9-10-22: Keep fingers flatter for bending - Fixing right hand in classical - Getting finger lowness - Fly me to the moon last chord - Right hand jockying to roll chords - D to F# chord change
9-17-22: Song by Eden, Fingering - Using Play Up to Touch To Build Scale Speed - The Nature of Left and Right Hand On Guitar - You NEED MORE No Tempo - Refining Free Stroke With No Tempo
9-24-22: Ode To Joy - Fingers Rest Stroke with Thumb - Using Thumb on Bends - Golf & Guitar - Finger Style Exercises - The Chromatic Octave Exercise - Hammers & Pulls - Emanuel Nails Allegro
10-1-22: Ode To Joy - Finger Slant On Pentatonics - Using 1 Extended - Small F chord
10-8-22: Ode To Joy Performance & Instruction Uploaded - Working up free stroke speed - Getting tension out of right hand rest strokes - The 6/4 Major Scale
10-15-22: Ode To Joy - Corrections 1 Stretch 3 Exercise – How to position 1 6th root major 7th chord, how to position 1 to mute 5th string Vibrato on electric guitar, how to do it and why Using Play Up to Touch To Build Scale Speed
10-22-22: Focus on Hammer Ons - Ode to Joy Corrections
10-29-22
11-5-22: Smooth rhythm on hammers & pulls - Discover your discomfort - Listening back at half speed - Anatomy of pull offs - Meaning of D.C al Coda in Fly Me To The Moon
11-12-22: Right Hand Pinky Tension- Pull Off Corrections - Use of Pentatonic Scale For Improv - Hammers & pulls with 2/3 and 3/4 - Ode to Joy Measure 11
11-19-22
12-3-22
12-10-22: Pull Off Corrections - How to study bar chords - Bar chord finger corrections - Fly Me To the Moon, how to do difficult change measure 2 to 3 - Ode to Joy 3rd part
12-17-22: Fingerstyle exercises for Ode To Joy - Rock essential lick #1 details - Travis Picking Intro - Exercise for fingers 3/4 playing together
12-23-22: A discussion of chord melody - Ode to Joy Part 3 - 6 Scales & Arpeggios
1-7-23: Successive Bends on Electric Guitar - correct left hand position on pentatonic - Travis Pick on skip to my lou - double note licks on electric
1-14-23: Repertoire Control Sheet - Discovering Hidden Tension - Left Hand Ex. for 3 & 4
1-21-23: Left Finger Slants Right - Pull Offs without hopping - Arm Weight used to hit block chord - Pull Off Corrections
1-28-23 : Creole Belle - Right Hand Damp Position - Rock Solo #2 - Rock Vibrato - Scales around the neck - Tuning with octaves
2-4-23: Right hand pracitice technique for Prelude 11 - Finger slant for E7 chord - Controlling voices w/Right Hand - 3 Finger Hammers
2-11-23: Practice Org. Chart Review - How to practice moveable scales - Practicing scales with various rhythms - Right hand patterns for scale practice - 5th root bar chord tips
2-18-23: Freight Train Over View - Exercise for Right Hand Damping - When 3 needs to stretch - Use thumb on bends - Pull off corrections - Practicing movable scales - Picking Mechanics
2-25-23: Move arm when damping - Full Press with Pose at top of cycle - Minimum LH Effort - Scale Corrections
3-4-23: Freight Train Added - Syncopation Exercises - Learning the 6 Major Scales (40:00) - Learning the notes on the neck
3-11-23: Prevent Left Hand Slant-3 Finger Hammers FAST-3 Is A Weak Finger-Jamming with C Scale! -How to Develop Speed!
3-18-23: Chord Change Strategy: Finger Path - You MUST practice at 4 clicks! (9:30) - How to practice a chromatic scale (42:00) - The 5/2 Scale (52:00) - Rules for thumb use in fingerstyle (1:05)
3-25-23: Playing on the beat (3:00) - 5/2 Major Scale big stretch (16:30) - Classical Gas (30:00) - Pay your dues to 4 clicks!(53:00) - The Expanded Beat (1:04)
4-1-23: Switching G to C with alternate bass (7:30) - R&B Solo #2 Timing (10:10) - Proper String Bending (17:00) - 3 Finger Combination (40:00) - Exercise for 3 and 4 used together (49:00) - Advice on practicing the 6 Essential Major Scales (105:40)
Exercise for damping bass (00:00 - 6:30) - Keep the right thumb out (6:30 - 11:30) - Keep pinky relaxed on Pentatonic #1 (11:30 - 18:30) - 5/2 Major Scale reach with index reach (18:30 - 20:30) - Even hammers (21:00 - 27:00) - 5/2 Major Scale reach with i
4-15-23: Getting finger lowness on scales (00:00 - 16:00) - Prelude in Am & Action Cues (17:00 - 39:00) - Controlling fingers on Mel Bay ( 44:00 - 56:00) Learning the arpeggios from the 6/2 Major Scale ( 57:00 - 114:00)
4-22-23
4-29-23
5-6-23
5-20-23
5-27-23
6-3-23
6-9-23
6-17-23
6-24-23
7-1-23
7-8-23
7-15-23
FREE PREVIEW7-22-23
FREE PREVIEW7-29-23
FREE PREVIEW8-5-23
8-12-23
8-19-23
8-26-23
9-9-23
9-16-23
9-23-23
9-30-23
10-7-23
10-14-23
10-21-23
10-28-23
11-4-23
11-11-23
11-18-23
11-25-23
12-2-23
12-9-23
12-16-23
12-23-23
12-30-23
1-6-24
1-13-24
1-20-24
2-10-24
2-17-24
2-24-24
3-2-24
3-9-24
3-16-24
3-23-24
3-31-24
4-6-24
4-13-24
4-20-24
4-27-24
5-4-24
5-11-24
5-18-24
6-1-24
6-8-24
6-15-24
6-22-24
6-29-24
7-6-24
7-13-24
7-20-24
FREE PREVIEW7-27-24
8-3-24
8-10-24
8-17-24
8-24-24
9-7-24
9-14-24
9-21-24
9-28-24
10-5-24
10-14-24
10-19-24
10-26-24
I started playing guitar at 50 years old. My initial progress was faster than I expected but I soon found that I started to develop aches and pains in my sho...
Read MoreI started playing guitar at 50 years old. My initial progress was faster than I expected but I soon found that I started to develop aches and pains in my shoulders and back. My playing felt increasingly awkward and any further progress came painfully slowly. After a few years of stop-start playing I came across some of Jamie's videos online and I suspected that she may be able to help me. I signed up for her stage 1 class and after a few lessons I finally felt that I could progress again. I was forced to slow down and pay more attention to seemingly minor details that were in fact major obstacles. It was very difficult at first, but once I became more relaxed and paid attention to Jamie's guidance, I made real progress and was promoted to the stage 2 class. Jamie's methods are deeply ingrained in me now. Everything I do in my practice comes under intense scrutiny so that my playing and performing can be more musical and enjoyable. Jamie uses each lesson to deepen our understanding of what can be done to solve problems [sometimes of life itself!]. I now feel that any of my playing goals are achievable.
Read LessThis course not only gives the basics of what every guitar player needs to know to play well, but it also teaches a good introduction to many different styl...
Read MoreThis course not only gives the basics of what every guitar player needs to know to play well, but it also teaches a good introduction to many different styles of guitar technique. Great emphasis is given to proper form, how to make the fingers do what needs to be done. This is the first program I have seen where there has been discussion of what muscles and joints are supposed to be doing when certain techniques are done. Jamie is the first teacher I have come across that has properly explained exactly how to practise the material provided. She teaches much more than what finger to put on what string and when. The class approach is also excellent as students get to watch what others are working on and learn from what Jamie teaches each person to do in order to improve. It is also good to be able to post on the FaceBook private group in between weekly class sessions and have Jamie's corrections and comments. However, the reliance on the use FaceBook is also a weakness of this course. If a student loses access to Facebook, a lot of the learning potential of this course is lost. In the approximately 2 1/2 years that I have been working on this course, the amount of material in it has grown a lot. The course is an excellent value for the fee charged. I look forward to growing in my guitar skills with this course for a long time to come.
Read LessI had the pleasure of embarking on a guitar journey with Jamie, and I can confidently say that she is the epitome of excellence in her field. Jamie's teachin...
Read MoreI had the pleasure of embarking on a guitar journey with Jamie, and I can confidently say that she is the epitome of excellence in her field. Jamie's teaching methods are not only detailed and comprehensive but also exceptionally beginner-friendly, making learning the guitar an absolute joy. From the moment I visited guitarprinciples.com, and her youtube channel I was impressed by the wealth of resources available. The courses are well-organized and user-friendly, allowing me to quickly navigate through various sections tailored specifically for beginners. The abundance of written materials, video tutorials, and exercises provides a solid foundation for the guitar learning journey. What truly sets Jamie apart is her unique ability to break down complex concepts into manageable, bite-sized pieces. She understands the challenges that beginners face and addresses them with utmost care and patience. Her step-by-step approach ensures that no concept is left unexplained, making the learning process seamless and enjoyable. Jamie's attention to detail is unparalleled, and she leaves no stone unturned when it comes to explaining techniques, finger placement, and musical theory. One aspect that particularly stood out to me was Jamie's emphasis on building a strong foundation. Rather than rushing through lessons, she takes the time to ensure that each fundamental aspect is fully understood before moving forward. This approach not only instills confidence but also sets the stage for long-term growth and success on the guitar. Jamie's dedication to establishing a solid musical foundation is a testament to her commitment to her students' progress. Another remarkable aspect of Jamie's teaching style is her genuine passion for music and the guitar. Her enthusiasm is infectious and has a way of inspiring and motivating her students. She creates a warm and encouraging learning environment, fostering a sense of camaraderie and support. Jamie's ability to create a connection with her students goes beyond the virtual realm, making the online lessons feel personal and engaging. In addition to her outstanding teaching methods, Jamie's commitment to ongoing support is truly commendable. She offers personalized feedback, guidance, and encouragement throughout the learning process, ensuring that her students continue to progress and grow. The availability of live Q&A sessions and regular updates to the course materials make GuitarPrinciples.com an all-encompassing platform for aspiring guitarists. In conclusion, Jamie is a phenomenal guitar teacher who possesses a rare combination of expertise, dedication, and passion. Her detailed and beginner-friendly teaching methods have empowered me to make significant strides in my guitar journey. The vast array of resources available on her website, coupled with her personalized support, make learning the guitar an enjoyable and rewarding experience. Whether you're an absolute beginner or an intermediate player looking to refine your skills, Jamie is the ideal guide to help you unlock your musical potential.
Read LessMy last instructor suggested I pick up Jamie's book, Principles of Correct Practice for Guitar. He understood the importance of eliminating tension and Jami...
Read MoreMy last instructor suggested I pick up Jamie's book, Principles of Correct Practice for Guitar. He understood the importance of eliminating tension and Jamie was the only one teaching this that he knew of. After working through the book, I decided to start taking lessons with Jamie and now I am learning How to practice and How to train my fingers. Usually the answer to most of my problems is to slow down and pay attention.
Read LessI have been taking this class for a while, since I progressed from Stage 1, I've been on and off the track. Maybe that is because I am not very sure which wa...
Read MoreI have been taking this class for a while, since I progressed from Stage 1, I've been on and off the track. Maybe that is because I am not very sure which way I want to go. This class we can have glimpses of Classical and Rock&Blues and I like them both. I was a bit stuck what to do, but I decided to just show up on weekly online class anyway. Just because I wanted to see Jamie talk and teach in real time. She is a very special teacher. Through the classes she would kindly push students' back. That put me back to the course again, little by little I feel I am making progress.
Read LessI started playing guitar about 10 months ago and found a lot of things difficult since my fingers were not trained and independent enough to perform what was...
Read MoreI started playing guitar about 10 months ago and found a lot of things difficult since my fingers were not trained and independent enough to perform what was being taught. I took Stage 1 to get back to the basics and it did a great job developing my finger strength, agility, and independence. I've now moved on to Stage 2 and already seeing more benefits. I believe all beginners and even people who have played for some time will benefit from these programs.
Read Less